• Record Label: Mute
  • Release Date: Feb 21, 2020

Generally favorable reviews - based on 10 Critic Reviews

Critic score distribution:
  1. Positive: 6 out of 10
  2. Negative: 0 out of 10
Buy On
  1. Mar 13, 2020
    Rather than simply throwing everything at the wall and seeing what sticks, together, the pair throw a lot, all while investing time and a marked sense of freedom to what each track could eventually become.
  2. Feb 21, 2020
    This collaboration is a deep dive into strange sonic territory, but beneath the noise beats a warm heart.
  3. Feb 19, 2020
    Melding pensive acoustic picking with sweeping synths and barely there rhythms, Raül Refree helps Lee Ranaldo sound daring, fearless and downright experimental again on Names of North End Women.
  4. Feb 28, 2020
    Maybe Names of North End Women will center a conversation about how listenable avant-garde and experimental music can be. If nothing else, it’s a compilation of eight strange, impeccably made songs with limitless authority on sound.
  5. The Wire
    Feb 18, 2020
    Names of North End Women is marginally the more engaging of the two albums, possibly due to the previous creative relationship between Ranaldo and Refree. But All Hands Around The Moment actually illustrates most compellingly the contributions of each collaborator. [Feb 2020, p.55]
  6. Feb 18, 2020
    A curious mix of musique concrète, poetry and Ranaldo’s longstanding metier, avant-rock. The near-absence of guitars means that there is a sparseness to some of the tracks, but the prominent percussion, combined with samples and effects, makes for an industrial feel on many songs
  7. Feb 20, 2020
    ‘Light Years Out’ is an ill-advised journey into electro-funk territory but overall, ‘Names of North End Women’ is an interesting work that shows Ranaldo has retained all his youthful capacity for innovation and experimentation.
  8. Mojo
    Feb 19, 2020
    Ranaldo and Refree are content to leave holes throughout, letting sounds do the most interesting work, nestling or scraping together. [Apr 2020, p.94]
  9. Feb 18, 2020
    The end result works better in some spots than others, “Lights Out” feels like the artists tossed everything they possibly could into the mix and the overload/instant shift in styles is a bit much while “The Art of Losing” featuring Haley Fohr (Circuit des Yeux )is torn between traditional song structure and free for all, never truly coalescing around either.
  10. Uncut
    Feb 18, 2020
    Ranaldo's spoken-word ambles can feel a bit precious, and at times the material doesn't cohere--a natural risk with experimentations. But when it falls together, it's beguiling. [Mar 2020, p.35]
User Score

No user score yet- Awaiting 2 more ratings

User score distribution:
  1. Positive: 2 out of 2
  2. Mixed: 0 out of 2
  3. Negative: 0 out of 2
  1. Feb 21, 2020
    Estou surpreso com o álbum, sou muito Severo com estilos musicais, mas esse álbum sinceramente cativou meus sentindos, simplesmente incrível.