| Warner Bros. Pictures | Release Date: October 17, 1990 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
17
Mixed:
1
Negative:
0
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Critic Reviews
The performances of Close and Silver are flawless, but it is Irons' portrait that remains behind, an enigmatic after-image… Reversal of Fortune is a delectable tour through facets of the lives of the rich and famous that Robin Leach wouldn't touch with a forked stick. [17 Oct 1990]
Funny and scary, Reversal is a tour de force for Schroeder, who examines the idle rich, the intricacies of the legal system, and the imperatives of morality concisely but with unmatched brio.
Barbet Schroeder directed the ingeniously made film, which weaves fact, hypothesis, and conjecture into a harrowing yet continually gripping and often highly amusing narrative. [12 Oct 1990]
What makes it so instructively entertaining is the pivotal character of Claus von Bulow, played by Jeremy Irons within an inch of his professional life. It's a fine, devastating performance, affected, mannerly, edgy, though seemingly ever in complete control. [17 Oct 1990]
The comic contrast between the genteel snobbery of von Bulow, a Danish aristocrat, and Dershowitz's dry contempt for his well-tailored client is treated with understated but stinging wit in Nicholas Kazan's brilliant script. [9 Nov 1990]
A marvelously sad and funny docucomedy. [22 Oct 1990]
Irons, busily offset by Silver, gleefully choreographed by Schroeder, gives the picture its real bravura reason for being. [19 Nov 1990]
If Silver is superb, Irons is transcendent. As some forgotten comic once said of George Sanders: A grapefruit wouldn't dare squirt in his eye. [17 Oct 1990]
Irons' Von Bulow is easily the most attractive and entertaining movie heavy since James Mason's villain in ''North by Northwest,'' a figure with whom he shares a taste for elegant homes and wry understatement. [17 Oct 1990]
What's fun about this movie is the sight of Mr. Irons's Claus stalking the mansion like a tall, skinny ghost smiling at the perverseness of it all. [18 Oct 1990, p.A14(E)]
Dershowitz's life-enhancing scenes are flatulent, and they're dishonest: the movie seems to be putting us down for enjoying the scandal satire it's dishing up. [19 Nov 1990]
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