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Why Hasn't Everything Already Disappeared? Image

Universal acclaim - based on 14 Critics What's this?

until album release
  • Summary: The eighth full-length release for the Atlanta indie rock band was co-produced with Ben H. Allen, Cate Le Bon, and Ben Etter.
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Score distribution:
  1. Positive: 14 out of 14
  2. Mixed: 0 out of 14
  3. Negative: 0 out of 14
  1. Jan 15, 2019
    This album seeks to ask questions, to entertain and to create. While the destination may be nebulous, Deerhunter know that the enjoyment lies within the journey. The slow, crumbling decline of civilisation has rarely sounded so good.
  2. Jan 15, 2019
    They continue to look forward and create music that feels unlike anything else out there. This one is no exception: it's the perfect antidote for these bleak, modern times.
  3. 85
    It’s utterly, completely, resolutely and defiantly them. It’s futuristic but warm, nostalgic but distant, pretentious but human.
  4. Q Magazine
    Jan 7, 2019
    It is their poppiest, most direct album yet, with a '60s swing permeating throughout its 10 tracks, but Cox has never sounded so disconnected from the world. ... It is a lean and often brilliant album. [Feb 2019, p.110]
  5. Come the closing ‘Nocturne’, Bradford is wailing into a malfunctioning microphone like the late, great Mark Linkous of Sparklehorse phoning a wasted lullaby home with one unreliable bar of phone coverage, and ‘…Disappeared?’ becomes less Cox’s ‘High Violet’, more his ‘Low’. This is how you turn pop into art.
  6. Mojo
    Jan 7, 2019
    Why Hasn't Everything Already Disappeared? is more exploratory than Fading Frontier, but there's a minimalism that helps its stark ideas and sad-eyes melodies shine through. [Feb 2019, p.88]
  7. Jan 7, 2019
    This is a Deerhunter album, so closer listening reveals much more going on beneath the surface. To be fair, though, Why Hasn’t Everything Already Disappeared? isn’t as viscerally challenging as many of the band’s prior efforts.

See all 14 Critic Reviews

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