For 3,222 reviews, this critic has graded:
  • 45% higher than the average critic
  • 5% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 6.2 points lower than other critics. (0-100 point scale)

Roger Moore's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Birdman or (The Unexpected Virtue of Ignorance)
Lowest review score: 0 The Dirty Kind
Score distribution:
3222 movie reviews
    • tbd Metascore
    • 75 Roger Moore
    Deutch is is just-short-of-dazzling as the persuasive opportunist who convinces one and all that “debt is JAIL,” and what they’re selling to debtors is the chance to “break these people OUT.”
    • 81 Metascore
    • 75 Roger Moore
    The Edge of Democracy won’t convince that “It CAN happen here.” It’ll make you wonder how far down the hole we’ve already tumbled.
    • 58 Metascore
    • 50 Roger Moore
    What you come for here, aside from nostalgia, is the excess, and “Gangsta” directors Adil El Arbi and Bilall Fallah serve that up in heaping helpings. Characters topple into pools of blood, all manner of vehicle is raced and blown up. And Miami has never looked sexier on the screen.
    • tbd Metascore
    • 63 Roger Moore
    Eddie Marsan makes this radio thriller worth staying tuned into — his face giving away terror, rage, cunning and panic, often in the same scene. Some supporting players shrink when cast front and center. Not this one.
    • 27 Metascore
    • 38 Roger Moore
    Sheen and Banderas make their characters fun, but they’re the only ones.
    • 32 Metascore
    • 38 Roger Moore
    The first half of the story is far more intriguing than the second, and “The Host” goes almost wholly wrong from that magic moment AFTER we wonder, “Just what the Hell is going on here?”
    • 9 Metascore
    • 0 Roger Moore
    It’s a deathly unfunny comedy, and staggeringly incompetent to boot.
    • tbd Metascore
    • 63 Roger Moore
    Manages to tell an over-familiar coming out story with sensitivity, and a Georgian accent.
    • 66 Metascore
    • 75 Roger Moore
    Ofra Bloch is a psychotherapist, specializing in trauma, who always wanted to be a filmmaker. But it’s her actual profession, not her preferred one, that makes her documentary Afterward a valuable document.
    • 49 Metascore
    • 50 Roger Moore
    Underwater’s a goof — a fun bad movie and a perfectly fine way to waste 90 minutes at the cinema.
    • 32 Metascore
    • 38 Roger Moore
    Like a Boss delivers a solid opening twenty minutes, and a few laughs, here and there, after that. Just not enough.
    • 67 Metascore
    • 75 Roger Moore
    Have we learned anything? Have the “Bond villains” at the heart of this story been discouraged from repeating their actions? Do we have any idea what can be done, and is anything at all BEING done?
    • 86 Metascore
    • 75 Roger Moore
    American Factory is too dispassionate to be a rallying cry, too sobering to be a “wake-up call,” but still a terrific fly-on-the-wall look at the struggles of America’s working class.
    • 68 Metascore
    • 75 Roger Moore
    Just Mercy is a movie about a touchstone case that proved that to be a lie, a righteous, well-intentioned but uneven emotional roller coaster of a film that plays it safe a little too often itself.
    • tbd Metascore
    • 25 Roger Moore
    Caan, Gossett, Sorvino and the rest get to work, everybody puts some effort in. But man — let’s wish for better things for everybody involved, save for the screenwriter.
    • tbd Metascore
    • 38 Roger Moore
    As with most every film, there’s the germ of a good idea here — a faintly-edgy faith-based music movie with an unconventional leading lady and a story arc that avoids conventional “Star is Born” dynamics. It’s just that nobody involved seems to have a grasp of what they could do with this, other than the most predictable choices.
    • 40 Metascore
    • 38 Roger Moore
    The first hair-raising moment comes 50 minutes in, but the deaths are anti-climactic even as the chilling tone is maintain, largely through dim lighting and very good actors
    • 77 Metascore
    • 75 Roger Moore
    Advocate is a reminder to audiences everywhere of the importance of the rule of law, its equal application and appointing judges who understand that importance.
    • tbd Metascore
    • 50 Roger Moore
    Director Dillard & Co. had a promising minimalist horror pitch, but blew it in execution.
    • 58 Metascore
    • 50 Roger Moore
    It’s entirely too scattered, sacrificing coherence, loaded down with characters who are more clutter than carriers of plot and substance.
    • 42 Metascore
    • 38 Roger Moore
    Powley, a delight in “”Diary of a Teenage Girl” and “A Royal Night Out,” can be applauded for trying something darker, but the checkbox script and pedestrian direction Marius A. Markevicius, who produced Peter Weir’s escape from Siberia thriller “The Way Back,” let her down.
    • 37 Metascore
    • 63 Roger Moore
    Devolves from quiet character study into full-blown, over-the-top “star vehicle” in its last act.
    • tbd Metascore
    • 63 Roger Moore
    The Photographer reminds us how hard it is to say something new on this subject, to avoid third act melodrama, even when the tale is essentially true. A lot of luck and chance were involved in deciding who lived and who died.
    • 75 Metascore
    • 63 Roger Moore
    A revealing, intimate and interesting peek behind the fresco-bedecked walls of an institution trapped in a past of its own invention, confronting a future in which it still relies on a succession of very old men to meet.
    • 32 Metascore
    • 63 Roger Moore
    If it’s not for everybody (I think fans of the play will like it), that’s no crime either. I appreciate the effort, got in sync (eventually) with what Hooper was trying to do and found myself quite moved, once or twice — which is twice more than “The Rise of Skywalker” managed.
    • 54 Metascore
    • 38 Roger Moore
    Three films in, and Ridley has mastered the fierce scowl and “stick the landing” poses of a superhero movie. She has not, in any sense, created a character who moves us with her expressions of fear or grief. Every time somebody she cares about dies, it’s dry tears all around.
    • 90 Metascore
    • 63 Roger Moore
    The effect is a movie that has a couple of great scenes tucked into a brilliantly excruciating tale that will not let go of its feeling of dread, or its manic energy.
    • 91 Metascore
    • 88 Roger Moore
    Gerwig’s concocted a fresh, frothty and fun take on a timeworn classic, the perfect family film for the holidays.
    • 65 Metascore
    • 75 Roger Moore
    The laughs may be a little too easy — dressing ANYbody up as Geraldo Rivera is a cheap guffaw — and the messaging too pointed and lopsided to appeal to every viewer.
    • tbd Metascore
    • 25 Roger Moore
    Jonathan Rhys Meyers plays a man who may or may not be a serial killer in Awake, a thriller that promises to start quickly and find a fresh twist or two by the end, and fails at both.

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